So, you know how awesome it is to write a book? To
finish a book? If you don't yet know this, I can tell you: it is the awesomest. I just want to keep reading it over and over and gloating. I wrote another book. Yay, me!!!
But. There's a downside. The downside of finishing a book is that you have to -- ulp! -- start writing
another book. Just like that. Out of thin air! Don't get me wrong: this is its own awesome, but the beginning, the huge blankness, it's ... well, you probably know. It's the most magical and terrifying of things. The perfect gleam of possibility, like a newly snowed field as yet unmarked by tracks. Daunting!
I've written four novels now. FOUR! (If you don't count the god-awful misbegotten thing I clawed out of my brain one fateful NaNo several years ago and have been trying ever since to forget). And it some ways, it DOES get easier each time. In the sense that you know you can do it. And this last book, it was a revelation and education to me in efficiency. The first book I've written as a
mom. Written in time available. Okay, I'm lucky there -- I have work hours; I have 4-5 hours a day to just write. Once upon a time, that seemed like nothing. Now, I know it is enough. If I use it to write, that is, and not blog. (Ahem.)
So, here I go, starting another book. I've got a brand new Scrivener project doc going, complete with a "Working Doc" in which I have begun to spill my brainstorming thoughts and plans for this book. I had thought I would give myself some time -- weeks, even -- to just do that:
What if this? What if that? Just brainstorm, write
about the book, because it's easier than actually diving in and writing scenes, and it's a good way to ease in. But after a few hours of brainstorming, and with a solid idea of how I want to start the book, I'm thinking I ought to just ...
start the book.You know?
Planning is great. Brainstorming is
great. I love it because it is this huge world to wander in. I can think up
anything, and it is a zero-stress environment. It is an environment I return to again and again and again throughout the writing of a book.
What now? and once again,
What now?But ... it's in the
writing that the magic happens. That's the time of pure creation. It's kind of like the Miller-Urey experiment in which you create the conditions for life and then zap it with simulated lightning and see what happens. The joy and excitement and terror are here, in the primal soup of story. If I have an idea of how to begin, I should just do it right? The only reason not to is: FEAR.
Stupid fear. Fear is not a good enough reason!
As far as just diving in and starting to write, I have found that it helps to think of this phase as the creation of raw material, and not as "the book." In the last book, I did this a fair amount, early on, and I found that later -- even
much later -- in the writing, I was able to plunder that raw material and use it. It was not for nothing! The thing is, writing
about the story (which I totally condone, in its place), you are on the outside looking in. Writing the story, you are
in it. And only when you are
in it, do "things happen" -- mystical unexpected things, like flashes of lightning animating chemicals to produce amino acids out of slush. Get into a scene and go, make the characters talk to each other and do things. It might be something you can use, it might not. If it's not, just keep going: create more raw material, until you "find" it.
Remember: you're writing to
find the story just as much as you are writing to
tell the story.
I'm pep-talking myself right now to begin doing just this. There's this part of me that still thinks that writing a book is something you have to build up to, a monumental task you have to gird yourself for. But really, you can just do it. Start it. It's like dieting: you tell yourself you're starting next week because you have to "get ready," right? OR, you can just ... not eat that scone and start NOW.
So, am I going to do it? Start the book? No. I can't think of it like that! My brain, my brain. The convolutions of my brain will not allow it. What I am going to do is: start writing scenes, generating raw material. If I think of it like that, I
can do it. I think.
Plus, this is a sequel, so the characters are right there in my brain, where they have been all year. (This is the sequel to
Daughter of Smoke and Bone, which by the way will be out in October, and may yet change title; stay tuned. It's in copy editing right now; I will see it again soon.)
By the way, the past few days have been an autumn extravaganza around here. So so wonderful. The leaves are doing their magical thing, and the weather has been gorgeous. At the park the other day, a genius mom had brought a rake and she made some massive leaf piles on the tennis court, and this might as well have been an amusement park for all the kids -- the glee, the games that came out a few leaf piles! Heaven.
Yesterday, we seized the possibility of one of the last sunny days and drove out to the Columbia River Gorge for our favorite hike: along Eagle Creek to Punchbowl Falls. Clementine was on my back, and snoozed a good part of the way, preparation for upcoming travels to faraway lands :-) Thank you, world, for the conjunction of sunshine with the changing leaves. These few days have been
splendid!
Hey guys, have you ever seen this painting? It's by Jim, and it is an alternate Lips Touch cover he did during the whole cover conception process. I love it. It is actually hanging in my writing room! It is also now up for auction -- as a 13x20 print on canvas (mounted on stretcher bars; it looks like an original painting on canvas; FYI there *is* no "original" of this because it was finished digitally, so it exists in its purest form in the ether.) -- to benefit Bridget Zinn, our lovely Portland writing friend who has been valiantly battling stage IV colon cancer for nearly two years -- that's nearly two years of constant chemo, and now a new treatment for which she is traveling to Arizona a week of every month. There are a lot of totally awesome items up for auction, including this painting, which includes a signed copy of Lips Touch.
